Since we are always big on sharing and production of knowledge, we have designed a curriculm that allows us to engange in meaniful ways.

We’re always happy to explain our thinking. But if we are changing the narrative, we must also change the process. The stories we tell are shaped by how they are gathered, who is involved, and who holds the power. If we are responsible for representing communities, then communities must lead the method.

Visual Anthropology, Visual Ethnography & Documentary Storytelling

Stage I — Seeing

Foundations of Visual Documentary- how our own culture can be understood through photography observation.

Stage II — Understanding

Visual Ethnography – Moving beyond taking photographs to learning methods for understanding communities beyond stereotypes.

Stage III — Making Meaning

Documentary Storytelling. Observation and Fieldwork

focused on developing practical research skills.

Stage Iv — Ethics and Representation

Critically examine storytelling as a shared space.

Stage V — Capstone Project

conduct an original Documentay project.

Professional Practice

Usefulness in real life practice.

Learning Outcomes

The curriculum is built on learning by doing.

Research should not end in academic journals, and photography should not end as beautiful images. That is our bridge, a way of generating knowledge, preserving memory, influencing policy, and strengthening communities through ethical, collaborative storytelling.

the.locals.ed

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hellolocals@gmail.com

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the.locals.ed

The Locals, is an interdisciplinary initiative that brings together photography, research, and community-led storytelling to document lived experience and expand public understanding of underrepresented communities. Through collaborative research, exhibitions, publications, workshops, and visual archives, we work with communities to preserve cultural memory and produce narratives grounded in dignity, everyday life, and local knowledge.

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